And that will be my entrée into show business and I will meet people and somehow I will go from there. I shall go find this Lorimar and I shall go become a parking-lot attendant there. And they must have parking attendants to park the cars of all the big shots that go to this Lorimar. The final credit would come up and say, “Lorimar,” and I thought, This Lorimar, they must have a parking lot. I’d been a fan of Dallas, which was made by a company called Lorimar. ![]() ![]() Deep down I dreamed of being a filmmaker but it just didn’t seem like a realistic goal. Tell me about the circumstances that led to you making Breakdown. (Among other things, Breakdown is one of the all-time great truck flicks.) We talked about how Breakdown came to be, the insanity of making T3 when Arnold Schwarzenegger’s political career was taking off, why the director seemed to slow down after that film, and that time he caused an international incident with U-571. But Breakdown reminds us of the dazzling skill with which Mostow puts together action scenes, not to mention his facility with big machines. His next feature would be 2009’s financially and critically disappointing Bruce Willis sci-fi film Surrogates, and then a small 2017 hitman flick called The Hunter’s Prayer. Although T3’s reputation has eroded somewhat over the years, it’s actually a solid action film, and quite possibly the darkest sequel ever made for any major movie franchise.Īfter that, Mostow’s output seemed to slow to a crawl. One of the great thrillers of the 1990s, the film served as a breakthrough for director Jonathan Mostow, who would follow it up with the spectacular WWII submarine epic U-571 (2000), starring Matthew McConaughey, Bill Paxton, and Harvey Keitel, before vaulting into franchise land with Terminator 3: Rise of the Machines (2003). But it wouldn't play well with voters in the sunshine state.This month marks the long-awaited Blu-ray release of the 1997 hit Breakdown, in which Kurt Russell stars as a man whose wife (Kathleen Quinlan) is mysteriously abducted after their car breaks down in the middle of the desert. More scary, more potent, than anything Stan Winston's FX team could dream up. Imagine Arnie shouting at someone in German. What he should do now is a movie in his native tongue. As for Schwarzenegger himself, Emma Thompson was once jeered for saying his face looked simultaneously classic and compellingly modern. And the fear of death." Quite so.ĭirector Jonathan Mostow does an honest job with all this - but it lacks James Cameron's zip, particularly with the crash-bang-wallop chase scenes which look like high jinks at a monster stock car rally. ![]() Tongue in cheek, Arnie makes light of his 56 years by announcing he is an "obsolete design" and when Kate and John share a joke, Arnie observes grimly: "Your levity is good. Arnie plays a sort of good-ish cyborg, sent clankingly back in time by the resistance to protect them both against the real Terminatoress: an ultra-cool sexy killing machine played by Kristanna Loken. Claire Danes gets the Linda Hamilton role of Kate, the ordinary woman picked by fate to be his warrior queen consort. Nick Stahl is John Connor, the humans' future resistance leader against the "machines". ![]() T3 - a knackered old sequel if ever there was one - basically retreads the plot of T1, with some twists and transpositions. Tragically, when he makes his first appearance naked, he is shot only down to the drum-tight pecs from the front: thus precluding any view of that prosperous tummy. Arnie may be "beck" but he's slowing up his circuit boards are spluttering and it looks like hoisting up his pump-action piece with one arm necessitates popping into his Winnebago afterwards for a bit of a lie down. T he gubernatorial race for California starts right here! And the de facto leader of the Austrian-American community is poised to clinch his long-rumoured political ambitions, which this belated, semi-jokey reprise of his most famous role can only help - a role that was born long ago in the bright springtime of the Reaganite 1980s.
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